Pressing in the Lino. You have to judge the softness of the clay carefully as it is easy to make a mess.
The exhibition is about the shoreline so I made some flowing bowls. First I threw a large cylinder without a bottom, let it become hard enough to handle and manipulated it as I placed it onto a slab.
I made a couple of them along with half a dozen flat plates which I also hope have a flowing quality.
They aren't finished yet, I need to round off the ends and I can't decide where or not to put small feet on them. As I am firing them to high temperature as it is porcelain clay then I risk warping if I elevate them with feet so it might be best to leave them flat.
I would like to glaze everything with a celadon but need to vary the finish for the exhibition, so I am still considering what I will do.
No comments:
Post a Comment